Monday 13 July 2015

Berlin Hamburgers


Very late post about this. Should have really arrived on your virtual doorstep a couple of months ago.  So please enjoy this late offering about Berlin Hamburgers.

Or as it's more commonly known, the Hamburger Bahnhof, a modern art museum in Berlin. This particular post is about the 'A-Z The Marzona Collection' exhibition. As the name would suggest, it's an exhibition that charts this collection from A to Z over the course of 2 years. During April, MNO was on display. The presentation is changed every quarter year in keeping with the sequence of the alphabet. Which makes this exhibition a little more interesting than normal, as you can re-visit the same exhibition within the space of a couple of months and be guaranteed to seeing something different.

This exhibition is a celebration of the conceptual art of the 1960s and 70s and illustrates the contemporary relevance of the works from this era. Now, although the display of the exhibition itself was something that wasn't particularly exciting or new, there was one thing about this exhibition that was particularly interesting.


This room here! What I'm just going to call the archive room. All the past letters and exhibitions are archived for you as the viewer to go and explore. You can sit at the table and search through the folders. There's even a photocopier to copy what you find interesting to keep. It's a really nice way of involving any letters (like ABC for example) you may have missed. Also allows you to still be part of the discussion conceptually if you weren't there physically at the time. Which I feel is the best way for the exhibition to exist past, present and future. (Because they have purposefully left empty shelves for the coming display. I feel this adds to the anticipation of the ever-changing show.)

I would definitely recommend you going to see this if you are in Berlin or just visiting like me. The only slight down side about this exhibition is that you do have to pay to get in and see it. Normally, I don't have an issue with this, but I feel like it is a little bit cheeky to demand that you have to re-buy a ticket every time that you go and see the new set of letters that are currently on display. I feel like they should have a special ticket or allow a discount of the production of your past ticket. Something to add the incentive to go and see this exhibition more than once, because I think that's the aim of this interesting new display.

And in any case the Hamburger Bahnhof is worth a ticket on its own (the ticket price does include the rest of the collection on offer.) So go on, treat yourself to some Berlin Hamburgers.

Wednesday 8 July 2015

#perfectstrangers


This is just a quick little note/shout out to a lovely magazine that does lovely things. They are called 'Oh Comely' and you can find them here.  They do lovely things that remind you of the loveliness of people and the everyday. 

The above photograph is a collection of the things I was sent from America as part of the perfect stranger parcel exchange. You send a parcel. And you hopefully receive one back! You decide whether or not you want to send one over seas or simply within your own country. If they end up doing this project again in the future, you can find that particular website here.

A little reminder of the kindness of strangers and the pleasure of snail mail.

Sunday 5 July 2015

Persephone Books


This is just a little note about a lovely independent book shop in London. As the title suggests, the book shop is called 'Persephone Books' that reprints forgotten fiction and non-fiction usually written by women from the 20th century. The photo above is the swag that me and my flatmate ended up walking out with.

Their books are a little pricey (£12 each, or at the time we went 3 for £30 making them a tenner each), however you can forgive them for this for the beautiful versions they publish of these stories. (Also that, and the fact that they ain't no Waterstones, and need to survive somehow.) Each book has a beautiful grey cover, with a special painterly pattern inside, that somehow relates to the story. When you buy a book, you can pick up a free corresponding bookmark. They also have a free bi-annual catalogue that you can pick up in store which definitely helps with the decision making, as there are so many to choose from!

So if you're in the Bloomsbury area, have a little mooch around. I'm sure they'll be something you'd like the sniff of.

Friday 3 July 2015

Review: Everyman (PLAY)


So I had the luck of seeing this play at the beginning of last month. (Like, right at the beginning. I think I saw this on the 1st.) And it only cost me £15. (A bargain.) Now at this price, I thought that I would be sat quite far back (in fact, I thought I would be sat right at the back) but as it turns out, I was right at the front. In fact, I was so close to the sat that I could have spat at the actors (as my mother would say.) My seat was A25 and that's where it was at I have to tell you! Somehow, a lot of the stage direction was pointed towards the area of this seat. So those numbers are worth booking!

Onto the play itself. The main thing that attracted me to this story that I had never heard of before was that is was a rewrite by Carol Ann Duffy. Got to love the Duffster. She reworked a 15th century play originally entitled: 'The Somonyng of Everyman'.

Here is a brief summary from the National Theatre website:

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.

It really is quite a journey that you're taken through. Visually and verbally. Duffy manages to balance her fantastic ear for the modern day voice with the original morals of the play. It felt as if she had rewritten this with a Shakespearean twist. And the mix of those two things worked fantastically well.

It's a fantastically choreographed moral spectacle, that leaves you thinking about it's themes long after the curtains have closed. (These being metaphorical curtains, as there were none.)

However, if you aren't lucky enough to be able to get into London to check this out (don't get me started on the London-centrism for culture that we have in the UK) but the National Theatre have this fantastic scheme in place. They broadcast live certain performances in cinemas across the UK. This particular play, 'Everyman' is going to be shared live on 16th July so check out your nearest cinema to see if they are showing it. I've already seen two other performances via this live streaming service in the cinema, 'A View From The Bridge' and 'Man + Superman'. And they were really enjoyable that you didn't feel like you were missing out too much at not being there. So definitely recommended!